SIGNS - Illustrating Intersections Between the Seen and the Unseen

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to strike, then to speak

The journey of Moses leading the Hebrews out of slavery and into the land has informed some recent visual work. There’s a curious episode with water coming out of a rock that strangely happens twice: once at the beginning of their sojourn and then again right before they enter the land promised them. Both times the people are thirsty and near riotous. Both times God gives Moses instruction. Both times Moses needs to take action. But the action the first time is to strike the rock and the second time Moses is only to speak to it. It’s a fascinating repeat with an important distinction.

Patterns and parallels catch attention. When something repeats, be it sound or sight, there’s a resonance of some sort. There’s potential being built. We’re hardwired, I think, to be alerted when there’s a repeat. Curiosity gets engaged—something intentional seems to be happening. When a strange chirp repeats I know it’s more than random, so I go looking for it. When the 2nd plane hit the towers, there was universal recognition that we were no longer dealing with accident. I watched that 2nd plane hit, and was startled at how instantly that repeat was a game changer of terrifying consequence. Everyone who saw that knew instinctively.

I was in a workshop this past week with an artist who’s done a lot of reading about how our brains perceive and then recognize. He posited that we’re all visual learners; we all take in data and start making connections. But it’s in the investigating where real learning gets sealed in our memory. And that takes some time and consideration.

So back to Moses, why was he tasked to strike the first time but only speak the second? For me this parallel of two rock stories is really pregnant, there’s more here. Moses had learned about striking. And by the end of the long wilderness journey he was oh-so ready to strike again. Why twice this rock thing then at these completely different times/locations? There’s nothing particularly distinguishable about the rocks in either episode. What is God teaching here in the narrative? It’s not random. There’s much that is not explained in the text, but some particulars are very clear. Needed water came out of rock both times and the people were sated. God gave words, both times. But Moses failed miserably at the 2nd rock because he applied an old instruction to the parallel. At the repeat episode, he was only to speak to the rock. Most find this biblical episode harsh, as if we gift-receivers have any high ground for critiquing the gift-giver. But God poured out that gift of water—both times, in spite of Moses’ fail. I am wondering if the parallel isn’t more deeply meaningful than our memories can yet gather in.

Moses personally addresses God later as “The Rock!” and he does so with overflowing praise at God’s perfection in all His ways. Moses had learned these ways of God, even through severe disappointment. I am not a good listener, so this story stills me. I am an activist who gets angry easily, therefore my empathy for Moses is pretty deep. But deeper still is the provision from the water giver, unseen but present within each of these common rocks. The first time the rock was to be struck. The second time: only spoken to.

 

what mercy requires

A recent show opening this past week (well attended by students, artists and appreciators) was a kaleidoscope of ideas and emotion. The Fl3tch3r Exhibit’s aim is to further social and politically engaged art. The juror, Canadian Anita Kunz, is an internationally published illustrator who selected from over 350 entries coming in from around the world. Because of space restrictions, she eventually had to limit down to a 20% submission ratio. The show is strong. The ideas varied and electrically charged. […]

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Hot. . .or cold

Maybe it’s my age. But maybe it’s the age we’re all in. For, I am sensing the rumblings of a cosmic shift. I’ll let the culture watchers detail it for you, but if your ear is to the ground, then you’ve already felt it. Here’s my summary: The real are getting real-er, and the fake are showing themselves. And here’s the best news: if you know the Creator, then you don’t need to fear (He said so). I feel like […]

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deception (Lord, I feel it)

It was time to paint the walls of my husband’s office. And knowing that the color I had hand-adjusted for our other rooms was a winner, and that we still had a good amount left in the 5 gal. container, we set out to use it. Whew, it did not work in there! He has one window in that small room, and the lighting is completely different. My wonderful color looked dark and morose in a different placement. So, back […]

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signs and blindness

Yesterday an artist friend and I viewed an exhibit at Penland having to do with human perception. The artist/printmaker’s aim was to “dislodge humankind’s assumption of its centrality.” Her work was inventive, but left me empty. For, if we artfully (and alertly) remove humankind from the throne of mastery, what is being offered as a guiding replacement? Is that not a concern? I see, and I sense the implications; and I need more. Most artists would recoil at my desire […]

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Go Forth (again)

I was awakened one evening long ago. My young friend wanted to talk about Abraham, her Patriarch. I listened out of respect, surprised by her wonder, startled actually by her belief. This was a fairy tale to me. But she held onto it as if it were true. We took many simple steps that night, one foot in front of another, hiking around a lake, high in the Colorado mountains. I was quiet mostly while she spoke. But that night, […]

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Syrian Refugee

I plotted this sketch onto a full sheet of Arches oil paper, conscious that getting the value structure right was going to be pretty critical before color choices. Also, since my skills are not in the arena of literal portrayals, I needed a visual roadmap of sorts. I usually don’t do figures, but this one was persistent for attention. I found this idea watching a video made by a humanitarian organization I trust. The story line clipped past this dark […]

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Selah (again)

A good portion of my work is an intuitive response, rapidly laid down. This does not mean that the result seen on paper was altogether quick, though if you had watched this piece and others being birthed you might think so. What is visible is an end product of a long term simmering from my mind, spirit and body. The thoughts that collide toward and then into a particular working session, the prayers that have been raised and linger as […]

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to craft

A recent article explored the question “Why does craft matter in a digital age” The insights there are worth a look. Here are some snipets from artists trying to explain: Craft is “a way of thinking”, “beyond the cerebral… and through our hands”, “it slows everything down”,  “it’s close to the body”.  Japanese glass artist, Yoshiaki Kojiro: “Craft is an event that starts with a physical sense of relationship between materials and people.” All this and more fascinates me for the […]

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value

One of the best reasons for standing back from work is being able to see the whole forest for the trees, that is: the strengths of the groupings of the lights and darks in the composition as a whole. Having been bent over the details, and being the one holding the tools, it’s too easy to get compulsive about the minutia. As mini-creators, we/I think I’m in charge too easily. I need to back up, take a breath, blink several […]

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distance for the seeing

Most all of us, living housed in our bodies, have functioning eyes. I love my eyes, and thank God for them; for with them I notice expression that tells me so much more than words. With them I can work with my hands at all kinds of things. With them I can apprehend beauty. And then with them I can lower my lids and signal the whole of my body to rest. When my eyes are open again however, I […]

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