SIGNS - Illustrating Intersections Between the Seen and the Unseen

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to craft

A recent article explored the question “Why does craft matter in a digital age” The insights there are worth a look. Here are some snipets from artists trying to explain: Craft is “a way of thinking”, “beyond the cerebral… and through our hands”, “it slows everything down”,  “it’s close to the body”.  Japanese glass artist, Yoshiaki Kojiro: “Craft is an event that starts with a physical sense of relationship between materials and people.”

All this and more fascinates me for the Creation account in Genesis 2 has God Himself getting his hands into the dirt, in time, on the ground to make things. Then we are tasked, after His exampling, to make things. It’s in the making that seeing is enhanced. It’s in the time taken and slowed down where relationships are better understood. It’s work, but strangely hope-filled.

Yet conversely, in what we call ‘real life’ we talk of “sound bites” and “visual grabs”, about “fake news” and “photo-shopped reality”. All the while we’re racing past what is real, missing the bigger things worth considering that will last all this.

I have been crafting. I’m working on a large oil on paper piece for a show. If I can get it where I want it, I’ll show it here first, maybe in the next post. I also have been crafting a small book. I pressed “approve” this morning, and soon this webpage will offer it for your consideration. The reason for the writing (and it’s taken 6 long years) is because the One who got His own hands into the dirt moved me to take the materials within my grasp of understanding and see if I could make something of it.

 

 

 

value

One of the best reasons for standing back from work is being able to see the whole forest for the trees, that is: the strengths of the groupings of the lights and darks in the composition as a whole. Having been bent over the details, and being the one holding the tools, it’s too easy to get compulsive about the minutia. As mini-creators, we/I think I’m in charge too easily. I need to back up, take a breath, blink several […]

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distance for the seeing

Most all of us, living housed in our bodies, have functioning eyes. I love my eyes, and thank God for them; for with them I notice expression that tells me so much more than words. With them I can work with my hands at all kinds of things. With them I can apprehend beauty. And then with them I can lower my lids and signal the whole of my body to rest. When my eyes are open again however, I […]

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“but purple is important to me!”

Her face was darkened and remained that way for the hour or so that she hovered around me. Her shoulders were hunched, her mood dour, and she was only 11. It was pitiful, and yes, I felt sad for her. But it wasn’t too long before my empathy turned to impatience and then to decisiveness. We were involving the kids, all 65 of them, at Rise Up!’s after school program. Having saved out an area where they could put their […]

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green like I mean it

So I did a little exercise to test my “strike” resolve (see last post on the burger billboard). Abstractions made concrete, thoughts made real. The green has been shouting at me for attention, so I dug in to bring it home. Now as primarily a landscape abstracter, I’ve come to learn that it’s the long view that entrances me, not the pretty things right in my reachable surroundings. It’s the far things that send me; not nice pictures, for their […]

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“eat like you mean it”

I didn’t stop on the highway to photograph the strange burger-joint billboard, just thought about it for the next, oh- maybe, 30 miles. There was the standard burger, and then the exhortation to “eat like you mean it.” “What does it mean to eat like I don’t mean it?” I rolled this around in my head at 65 mph. Can someone actually sit before a meal and not “mean it”? Maybe that’s true. Maybe you can just absently take something […]

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clarifying the door

This piece startled me. Unmistakably Chagall, unmistakably modern, while being uncharacteristically direct as a narrative. I was already thinking about targets, about careful communication with the viewer (see last post). And then this. Chagall nails it. And he wants to make sure you can see it too. Normally Chagall’s work is typified by dream like, color-filled reflections from his charmed Lithuanian childhood. The artist grew up in a happy Hasidic community, which shaped his worldview. “Ever since early childhood, I […]

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target

Jasper Johns’ 66 inch square piece is showcased at the Art Institute of Chicago and it jogged some thought. Johns’ intention when he made this and several other target images in the 60’s, was that viewers would see something familiar, “something the mind already knows” as a bridge or a catalyst toward further meaning. He was using the known to pry loose more that is not yet grasped.   Jasper’s approach here was a significant departure from the way celebrated […]

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images are appetizer

You’ve been to the events—hungry and wondering how long until the meal would be served. Then someone shows up with a tray of small things, artfully arranged, inviting you to take. It’s a welcome thing. It leads you in and tides you over. Small tastes, like tapas, awaken the buds. A meal of this would not be enough, but the little bit is like a promise: that more is coming and that it is going to be good. Images are […]

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engagement

If someone were to ask me “what is the most fun thing you ever did?” I would easily say, taking my grandsons through the Metropolitan Museum of Art! They flew all the way out from their west coast to a family wedding. Our son flagged us to join them in NYC afterwards and we jumped in the car (retirement has it’s great rewards)! Another close to me said “mom, don’t get your hopes up, the boys won’t be interested.” Well, […]

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breakthrough

Long story, but I was given an open door to audit an advanced painting course, at just the perfect time: another gift. The instructor is quick and good. I figured the opportunity would help me get my brushes moving toward a series I aim to finish but have been stalled out on. Before I could get to that work though, the prof. gave an assignment: stretch a huge canvas, gesture in the model for 3 sessions, and then complete a […]

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