Friday night I got to view some wonderfully meditative work by friend and former colleague Patricia Mink, Professor Emerita from ETSU’s Department of Art and Design. Her work can be seen at the Tipton Gallery this month.
Pat’s textile work is cutting edge in how she enhances old practice with new processes. She takes fibers and threads, fabric scraps, and tests with homegrown dyes, then layers in both hand and free-form machine stitching. She works up many of her ideas using the aid of advanced programs, huge color printers and looms. Her work has the sense of being both familiar, but also strikingly rich. Creativity can be defined as how anyone takes what is already given and then makes from the elements something brand new. This to me is the most exciting and dignifying work we can do! We start from where we are.
Pat’s givens, her own practice, roots deeply out from the rich Appalachian homespun craftwork that has emerged from these hills for generations. People here don’t bother knowing what “fine art” is, they just do what’s needed with their hands in extraordinary ways. Extraordinary ways.
This huge quilt is made from Pat’s long-term collection of samples, tests, studies and observations from old barns and country textures. It is a masterwork, a piece of extraordinary beauty as simply an aesthetic accomplishment. But this piece also is a powerful emblem to me of so much more. I stood and stared at it, looking closely and then standing back, taking comfort, and noting to myself that just by looking I was doing exactly that: taking comfort in the quilt.
Originally, I don’t come from these Southern highlands, yet it is a wonderful privilege to live among folks who respect their land and what it gives, who respect their families and where they came from, and the traditions from which they feel it is never necessary to apologize. There’s a freeing humility here. And when the givens get broken, the bits that remain, which came simply enough, can be pieced back together in ways more lovely than when they first were made.
We all are presently immersed here in the Southern Appalachians with sadness. The muck from over swelling rivers has settled, the huge masses of broken timbers are slowly being carted, helicopters are flying regularly up into the hills, mule teams and pick up trucks also, bridges are being crafted by volunteers, but the lives shattered will take more time. Here is just one drone view from 10 minutes where I live.
Please pray for the broken hearts. Mending has started for many. I heard this morning about a young woman who gave birth alone during the hurricane, and was on her last bottle for her baby. A woman, who somehow knew to bring baby things showed up just in time, and now momma and baby are safely in care with others.
Thanks Mary for your letter and the drone video of devastation so close to your home. Such loss and sadness but also meaningful mercies as you shared.
Also thanks for sharing that gorgeous Appalachian Patchwork by Patricia Mink… calm to gaze on in the midst of the adversity!
Hi Chris, sorry for such a late reply and sending thanks that you read and commented. I’m kind of late here, but YES when beauty can be celebrated it always heartens me. I read recently that beauty cannot speak of love, that words are needed…maybe that is true. But beauty leads me to words.
A stunning piece of work… how beautiful it has to be to have viewed it in person. Thanks, Mary, for sharing it and the written explanation of the artist’s background.
Hi Lynn, here it is a month late and I am only now seeing this your comment. Thank-you for being interested and viewing Pat’s work, truly fortunate was I to see it in real, and when I got to see it, was palliative!