why do you work?

Artists examine things. Looking under rocks for clues is maybe another way to say this. And for many of us, digging at our own personal reasons for creating is a necessary hazard in that examining process. The inner motivation behind the working has to be understood and it has to be bigger than our ability or why bother? It’s intimidating to stay at it. There’s got to be a compelling drive that keeps one at it. Sometimes this is intuitively exciting, other times it is a slog that ends up surprisingly fruitful, or sadly not.

Until the next day’s try.

There’s a long road of other artists who have gone before to learn from. There are many right now who are making tracks. But what moves me the most is inspiration that takes off from some well-chosen and very fertile words.

I taught a small workshop this month with a couple eager beavers who were willing to try their hand at abstracting using some new materials. It’s true for me and I hoped would be for them that the cutting edge of “not knowing really how” would produce some exciting personal discovery. They came with only some favorite words to work off of.

Voila, or “There it is!” was the result after a couple hours of experimentation. We really are creative whether we understand how we’re made or not. The excitement in getting a glimpse of that is contagious. This finished result was just one of several little gems made that night. Liz illuminated a favorite quote from Brenda Ueland’s “If You Want to Write”: “Since you are like no other being ever created since the beginning of time, you are incomparable.”

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